Dec 112018
 

“Fleas Naughty Dog” has been a Rottweiler Records tradition since 2010 with the sole purpose of honoring God, celebrating life in Him, worldwide music scene unity regardless of musical style, and having a ton of fun in the process.

This year we’ve teamed up with The Bearded Dragon to bring you “Fleas Naughty Dog Vol 6”. As usual, some songs are quite serious and reverent, some songs are silly and fun, and some are just well. . let’s call them unique. In totality this eclectic group of Christian artists represents a small fraction of the creativity of God’s people, in some small way mirroring His divine creativity.

However you choose to celebrate Jesus Christ’s birth this Christmas season (and whatever style of music you choose to play while celebrating the Messiah’s birth), we pray that you choose to keep your focus on Him, not only at Christmas, but all year long. Continue reading »

Sep 052018
 

Symphonic Death Metal Death Requisite have teamed up with The Metal Resource to bring you the exclusive premiere of the new lyric video for ‘Tormentor’. The track is taken from their new album “Threnody”, which is released on June 29th via Rottweiler Records. The video can be seen below.

Death Requisite (deth – rek’wi zit) adj. noun. 1.) eternal destruction/damnation required due to a particular circumstance (A blood debt must be paid); 2.) a fearsome extreme hybrid metal band from Sarasota, Florida. Continue reading »

R.A.I.D. – “The Strong Survive”

 Posted by on September 2, 2018 at 22:59  No Responses »
Sep 022018
 

It gives me immense pleasure to introduce you to the newest old school hardcore band reigning in from Hyderabad, India – R.A.I.D (Rueban and The Imperium Division). Formed in June 2016, the debut band has signed up with Rottweiler Records, and have released their debut album “The Strong Survive” early July this year. Having seen a few line-up changes over the years, the band (the brain child of vocalist Rueban Issac) describes themselves as “When one thinks of a raid, the word generally conjures thoughts of a sudden attack or assault on an enemy as in warfare. The implication is that a counter threat or forceful action is being levied against a previous assailant.”

The band lists out a number of influences which includes Madball, Suicidal Tendencies, Agnostic Front, Terror, Snapcase and Hatebreed. Lyrically, R.A.I.D focuses on the classic ethos of hardcore, PMA (Positive Mental Attitude) with the added message of Hope, Strength and Salvation through the teachings of Jesus Christ. R.A.I.D strives to further breathe fresh music into a generic scene, pushing both music and lyrics to the fullest potential.

Without much ado, I plug in my earphones and with the flick of a matchstick delve into this debut record. The first track, “Detonate” literally true to its name, explodes with hammering riffs and sets the groove on. The guitar tone is rugged and riffs are progressive, accentuated equally with raw growls and makes one groove to the beats. Next up we have, “Soul of a Lion” which takes no time to grab your attention with a catchy riff and continues with the same energy as that of its predecessor. What was peculiar about this song was the interlude that introduces us to the odd time breaks and builds up intensity to outleash brutal madness, the guitar solo did its magic too. Continue reading »

John DeGroff -“SALT”

 Posted by on August 23, 2018 at 20:55  No Responses »
Aug 232018
 

Greg Hough, one of the founding members of Petra tells the story of how, when he accepted Jesus Christ as his personal Lord and Saviour, God’s message of “You will play for Me” came to him. John DeGroff (also a founding member) completes the story as he tells of meeting both Greg, and Bill Glover (another founding member of Petra) at Christian Training Centre in Fort Wayne, Indiana, in 1972. It is towards the end of that year that they got onto stage in church to play together, ministering through the medium of what is now Christian rock music.

Produced by John DeGroff, “SALT” follows on from “…demos and other moments…” released in
2015. “SALT” gives the impression of ease, or better, effortlessness. There is a playfulness in the descending arpeggios that open “Runnin’” that sets the tone of the album for me. John is a fan of progressive rock and jazz music, and having recently revisited Kansas’ “Point of Know Return” album myself, I’m loving John’s musical direction. I enjoyed how the bass guitar and organ synchronised with one another on this first track, complemented by John Schlitt (Head East, Petra – 1986 to 2005) on vocals.

I’m intrigued by John’s harmonic playing on “Sneeze”, where bass notes ring together much like they would when you strum a guitar. On this track you’ll also hear perfectly executed tempo changes; proof of a great band locked into the groove. “Dave’s Living Room” showcases the band’s lightness of touch, and is addictive like cotton candy.

Continue reading »

Jul 122018
 

Out of the ashes of Crimson Thorn come Taking the Head of Goliath who have released the debut studio album …a monstrously heavy slab of death metal and follow up to their debut live album.

The Minnesota band Taking the Head of Goliath traces their roots all the way back to 2015 and basically is the story of a collection of bands breaking up and members of those bands getting together and looking for bass player, which brought in Luke Renno from Crimson Thorn.  The band quickly gained attention, playing their first show on the For Today farewell tour, which also featured Norma Jean.  The band’s debut show was also released as an ep earlier on Noisetrade and their self-titled ep  is their debut after signing to Rottweiler Records.  On the self-titled ep, Matthew Mark Vangsgard laid the drum tracks but he has since left the band and been replaced by Steve Reishus (ex-Crimson Thorn). For those who can’t easily decipher the lyrics, the band is looking to spread a message of hope, redemption, strength, and courage through Jesus Christ.

Haunting, eerie music builds in the intro track “Of Sin and Death” and then the pounding rhythm of “Oblivious into Oblivion” kicks in with a great guitar fill at the beginning before settling into a double bass driven section supporting a mixture of death growls and shrieks.  Guttural vocals rule the day here and the band comes through with punishingly heavy riffs to keep the song moving.  For my ears, the closest comparison here would be bands like Broken Flesh and Cannibal Corpse. Continue reading »