Enzo Donnarumma truly knows how to set a mood. “Precariousness” has an uneasy feeling, and this sense of foreboding is ramped up to breaking point as the prelude transitions to “Nothingness (It’s Everyone’s Fate)”. The string arrangement and the percussion immediately propel me to the Middle East even as the ensemble cast sing of traveling from Africa, but the Glory Ensemble interrupt themselves by introducing a progressive rock run toward the middle of the song and suddenly I’m in a different world altogether. How mighty the guitar sounds when backed by a symphony orchestra! Against a choir singing “It’s everyone’s fate” there is a world
of clamouring voices and instruments and you realise very quickly that on the album, “In The Name of The World Spirit” there will be a lot to take in.
This album is the third in a trilogy by Enzo & The Glory Ensemble, and has certainly retained its fiery delivery. The band changes tack on “The Bronze Age”, where the sequenced elements suggest a hive of activity. A lilting acoustic guitar is introduced while the vocalisations of the choir stitch this peaceful interlude to the heavier part that follows. What keeps amazing me are the contrasts achieved in the music. “Try To Put In Pit The Fear” features Kobi Farhi of Orphaned Land. The earlier uneasiness has made way for a feeling of celebration. I have found myself listening to increasingly heavier music since we’ve been in precautionary lockdown and while it has matched my somber mood it has left me dejected. A song like “Try To Put In Pit The Fear” is the remedy that blows the cobwebs of negativity away. “To Every Chest” is a beautiful duet and a little slower in pace. The combination of the male and female vocals is very effective, and there is ample room for heavenly guitar solos. The Glory Ensemble are very good at combining instruments that invoke the ancient world with those that fit more squarely in the present, like in “Just In My Heart The Blame”. There is the thumb piano but also a stringed instrument towards the middle of the track that picks up the melody and truly stands out
amongst the modern orchestration. I love the inclusion of the harp on “I’ll Add More” and if ever there were a musical intro suited to the opening scene of a film, it would be this one. It feels like a very personal song, beautifully sung by female voices.