Evanescence has released the official music video for the song ‘Imperfection’. Taken from the band’s next album, “Synthesis”, which is due on November 10, the track features full orchestration in a completely synthetic world of beats and sounds, with help from arranger and composer David Campbell.
“Synthesis” will feature two new Evanescence songs in addition to fan favorites re-recorded with a live orchestra and electronica. The album includes guest performance by famed violinist Lindsey Stirling on “Hi-Lo”, the other new song on the album.
Evanescence singer Amy Lee described the inspiration behind ‘Imperfection’: “For me, this is the most important song on the album. I struggled with the lyrics for a long time because there was a lifetime of work to live up to and I wasn’t sure what to say or how to be good enough. When it finally started pouring out of me, it was undeniable. I had no choice. It’s for all the people we’ve lost, all the people who we could lose, to suicide and depression. I’m singing from the perspective of the person left behind, the person in the waiting room. It’s a plea to fight for your life, to stay. Don’t give in to the fear — I have to tell myself that every day. Nobody is perfect. We are all imperfect, and it’s precisely those imperfections that make us who we are, and we have to embrace them because there’s so much beauty in those differences. Life is worth fighting for. You are worth fighting for.”
The “Synthesis Live” tour launched on October 14 on the West Coast.
Evanescence performed at The Greek Theatre in Los Angeles on Sunday, October 15 in support of its fourth album, “Synthesis”. Like the disc, “Synthesis Live” features a reimagining of some of Evanescence‘s best-loved songs with the spotlight on full orchestra, electronics combined with the band and Amy Lee‘s virtuoso piano and voice.
Fan-filmed video footage of the entire Los Angeles concert can be seen here.
Like the album, “Synthesis Live” features a reimagining of some of Evanescence‘s best-loved songs with the spotlight on full orchestra, electronics combined with the band and Lee‘s virtuoso piano and voice.
“This is a total passion project for me. There are so many layers in our music, underneath the huge drums and guitars,” explained Lee. “I’ve always wanted to shine a light on some of the gorgeous David Campbell arrangements and programming elements in our songs, and that idea snowballed into completely re-doing them with full orchestra, not just strings, elaborate programming and experimentation.
“This will be our first time touring with orchestra and I’m so excited to perform this way — really focus on the vocals, and the emotion and the story we’ve built over the years. I’m also really excited about the new material on the album. Besides the two new songs, there are some really beautiful instrumental in-between moments. The whole thing flows like a big, dynamic soundtrack.”
Lee told Graspop.be about “Synthesis”: “It’s different in a way that it’s still coming from the roots of what Evanescence was conceived to be,. It’s really a beautiful project. A lot of our old songs are getting a whole new life in a way where we’re getting to experience the focus being this beautiful, full orchestra. It’s also a lot of electronic, cool elements — parts that have always been part of our music. It hasn’t been full orchestra before — it’s just been mainly strings — but just taking it to very beautiful, classical and epic and groovy place. Oh, it feels so good. There’s some new stuff on it too, but it’s mostly old stuff [reimagined].”
Lee also talked in more detail about the making of “Synthesis”, explaining: “As far as the conception, basically, you work in demo land first and just create the arrangements of songs. I went through all the master sessions of, say, ‘Bring Me To Life’, and [I would] pull out all the stuff and listen to it and then chop it up and decide, ‘Oh, maybe this part needs to be longer. Maybe this part at the beginning will be just strings and piano.’ Just figure out what you’re gonna do and build a map. And working with David Campbell, who has done all the string arrangements for Evanescence for all three albums now doing full orchestra, just going back and forth with him and our producer Will and then each other, just throwing ideas in a Dropbox and basically just playing tennis back and forth for months.”
October 22 – Irving, TX @ The Pavilion at Irving Music Factory
October 23 – New Orleans, LA @ Mahalia Jackson Theater
October 25 – Nashville, TN @ Ryman Auditorium
October 27 – Atlanta, GA @ Chastain Park Amphitheatre
October 28 – Charlotte, NC @ Ovens Auditorium
October 30 – Pittsburgh, PA @ Heinz Hall for the Performing Arts
October 31 – Oxon Hill, MD @ MGM National Harbor
November 2 – Upper Darby, PA @ Tower Theater
November 3 – Mashantucket, CT @ Foxwoods Resort Casino
November 5 – Boston, MA @ Orpheum Theatre
November 7 – Bethlehem, PA @ Sands Bethlehem Event Center
November 8 – Baltimore, MD @ Hippodrome Theatre
November 10 – Brooklyn, NY @ Kings Theatre
November 30 – Chicago, IL @ Chicago Theatre
December 2 – Carmel, IN @ The Palladium
Inside Synthesis: Episode 1 – IntroductionDecember 5 – Minneapolis, MN @ State Theatre
December 6 – Madison, WI @ Orpheum Theatre
December 8 – Toronto, ON @ Canada Sony Centre for Performing Arts
December 9 – Windsor, ON @ Canada Caesar’s Windsor
December 11 – Kansas City, MO @ Kansas City Music Hall
December 13 – Denver, CO @ Paramount Theatre
December 15 – Reno, NV @ Grand Theatre at The Grand Sierra Resort
December 16 – San Francisco, CA @ Masonic Auditorium
December 19 – Portland, OR @ Arlene Schnitzer Concert Hall
Video for ‘Imperfection’