John Jackson

Jun 222019
 

Two man project Mystic Winter bring their diy ethic to bear on the ep Tergiversating Blasphemies

Mystic Winter arose from the ashes of the band Haloed Patriots in the woods of Indiana and the early material sprang from two band members realizing material they had did not fit the previous band’s identity.  In March of 2018, Mystic Winter released the single “Withered”,  with Tergiversating Blasphemies coming in 2019. With musical influences including black metal icons like Antestor, Crimson Moonlight, Horde, and Vials of Wrath, one might expect a project filled with black metal and explorations into the ambient side of the genre.

The ep opens with “Exordium” a haunting mostly ambient, keyboard and horror movie sound effect laden track with some deep, growled spoken word over the top.  Suprisingly, the next track “Nomadic Tumor” also starts out with the atmospheric keyboard intro,  instead of the usual explosion of riffs and blastbeats common to the genre.  Unfortunately, while the keyboards sound as if they were recorded normally, once the rest of the music comes in it sounds more like it was recorded in metal box a ways away from the microphones.  The songs is muffled echo-driven noise separated by cleanly recorded keyboard sections.  Ambient black metal noise seems a fitting description. Continue reading »

Jun 142019
 

Thumper Punk Records has released a 3 song ep of previously unreleased songs from the OC punk outfit Rogue Anthem as a benefit for the family of singer Myke Augustat who passed away in 2012.

The debut album by Rogue Anthem, What to Believe, was released at a benefit show for the Augustat Family in November 2012.  Tragically, singer, guitar player and founder, Myke Augustat (ex-Call to Glory) passed away earlier in the summer of 2012.  Rogue Anthem was founded to carry a message to the forgotten and the underdog, a message railing against the evils of society today from materialism to greed to apathy.  As was the case with the album, all profits from the album will be donated to the Augustat family, the wife and three children who miss Myke every day. Continue reading »

Jun 062019
 

Back in 2005, Living Fire began as a project without a fixed lineup other than Luis Carlos on vocals and bass as he just wanted to make music and record to have music to listen to..never realizing that the lyrics in English would ever have an impact due to his accent.  In 2011, the cd was recorded with the opening track “Jesus is Not Dead” and a couple of covers leading to the band signing to Thumper Punk Records in 2012.  A couple of videos later and a couple of years, saw the band release Dead to Sin in 2014.  Since then the band has released a couple more cd’s, Eternal Now in 2016 and Every Saint has a Past, Every Sinner has a Future in 2017, which saw the band veer away from a hardcore sound and more toward a Blink-182-like sound.  During recording of Eternal Now, founder Luis Carlos shifted to only vocals and the band brought on Raphael Alcantara to handle bass duties and as a result of this change, the band suddenly had more creative input to their sound.

In full disclosure, I did like the band’s early material which was a bit more like melodic old-school hardcore and I pretty much lost interest in their more recent releases as the change in sound just didn’t fit into what I like to listen to.  With The Flame Still Burns, if it wasn’t for Luiz Carlos’ distinctive vocals and tone, I would have thought it was a different band.  So much more aggression and heavy, fast guitars and drums on this release.  While their last one was more like Blink-182, I would put this one more toward bands like Downset and dare I say some hints of Sepultura.    “Eternal Love” opens innocently enough with some howling wind and a crying baby but then Luiz Carlos comes in with a rap-like delivery and chunky guitar and bass riff with some gang vocals thrown in for good measure until  the song shifts into a more melodic chorus section filled with some nicely layered in guitar leads.  I get all sorts of influences showing up here, early TFK, POD, and the great funky bass work by Raphael Alcantara really helps bring the song along.  Great start to the album and I did go back and check to make sure I had the right album playing. Continue reading »

Diviner – “Realms of Time”

 Posted by on June 4, 2019 at 14:10  No Responses »
Jun 042019
 

As impressive as the debut album from Diviner was, the Realms of Time not only exceeds that on every level but also exceeds the high expectations built from that album.  Fast, heavy riffs, blazing solos, strong, majestic vocals, a pounding rhythm section, and great songwriting make this one of the year’s best albums.

Back in 2011, friends Yiannais Papanikolaou and Thimios Krikos, who had been in Inner Wish back in 1998, got together to start making music and Diviner was born. Late in 2015, the band released their debut Fallen Empires after adding friends and local metal musicians George Maroulees , Herc Booze, and Fragiskos Samoilis.  Fallen Empires was one of those albums that immediately impressed listeners, especially coming from a largely unknown group.  Unfortunately, it took until 2019 to get the follow up album, but after a first listen it became apparent it was well worth the wait.  Right before recording for Realms of Time was to begin, founding guitarist Thimios Krikos decided to leave the band due to commitment issues and Kostas Fitos was brought in.  The album was produced and mixed by Fotis Bernardo (ex-Septic Flesh) and mastered by Henrik Udd (Powerwolf, Hammerfall, Myrath) with artwork by Jan Yrlund (Battle Beast, Apocalyptica, Korpiklaani) completing the package.

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May 112019
 

One listen to Dissident Voices by Veil of Deception and it becomes very clear that metal is alive and well in Austria.  Thunderous, pounding rhythm section, great riffs and solos, soaring and powerful  vocals are found in abundance on this album, which blurs the line between the NWOBHM and power metal and adds bits from several other genres for good measure.

The band itself traces its roots back to 2013 in Vienna when guitarists Dejan Jorgovanovic and Gerd Metzl began jamming and exchanging riffs.  Not long after, Erik Fristad joined on bass and vocalist Daniel Gallar answered an ad and after a quick audition was now a member of the band.  After a brief search, Mike Günther was added on drums and the first iteration of the band was complete.  The band’s debut album, Deception Unveiled came not long after and exposed the world the band’s blend of modern metal, groove, thrash, and stoner metal.  Unfortunately, Erik left the band not long after recording and the band found current bassist Thomas Hava and the band pressed on playing shows and filming a couple of videos.  When it came time for the second album, guitarist Gerd decided to leave the band and Dejan took over all guitar parts for the album Tearing Up the Roots.  Concerts followed with the band even sharing the stage with the likes of Flotsam and Jetsam.  For Dissident Voices, the band returns as a four piece and released the album on Roxx Records imprint, No Life Til Metal records. Continue reading »